Q&A with Theatre Things
In the run up to presenting Sister at Ovalhouse in September 2016, we chatted to Theatre Things about the inspiration behind the piece, how we made it and what was in store for our audiences.
Daisy Brown & Nia Coleman in Sister at Ovalhouse © Ludovic Des Cognets
“Sister is a show all about the relationships that we may take for granted,” explains Rebecca. “Whether it’s a parent, a sibling, a partner or just our friends, we’re all connected to our loved ones by some pretty unshakeable bonds. Sometimes it’s easy to neglect them or take them for granted, and I suppose part of the reason why we made this show was to celebrate these relationships – the ups and downs, the challenges we all face and the memories we make together.”
The show’s based on real accounts from women across the country, all with a common theme of sisterhood. “The topic of Sister was born out of a shared interest in family, the passing of time and the creation of memory. We also wanted to create work that had complex female characters at its core. We started by interviewing people that we knew, but the project quickly gained momentum when we started to put call-outs for participants via our social media outlets. We were soon overwhelmed with responses, and ended up speaking to nearly 50 women and girls. Three stories really stood out to us, so they form the core of the piece, woven into a tapestry of many other stories.
“In terms of the way that we told these stories, we were inspired by verbatim works such as London Road and John, and wanted to see what would happen if we coupled this super-naturalistic text with our brand of electroacoustic music.”
Rebecca and Alex have been working together for over four years, since meeting at university: “We were both interested in finding a more dynamic way of creating music theatre – bringing the composition of the work into the rehearsal room and playing around with music, text, design and staging all together before putting things down on paper. We’re also both interested in devised theatre – where the work is born out of a direct collaboration between artists as opposed to more traditional writer/director dynamic – so we brought the flexibility and energy involved in bringing together a devised work into a more musical world, and our style has been developing ever since.
“We want to tell contemporary stories in unusual ways, combining our love of music, technology and gripping narratives to bring to life very human stories on stage. Our work aims to combine fast-paced story-telling with a richly textured sound world of live vocals and electronic music, creating shows that appeal to both the head and the heart, and leaving our audience with a new outlook on the world around them.”
Rebecca & Alex are no strangers to Ovalhouse, and have fond memories of showing Sister there while the piece was still in development. “It feels really good to be back!” says Rebecca. “As an emerging company, we really appreciate the support of organisations like Ovalhouse as we wouldn’t be able to experiment and play and create truly boundary-pushing work without them.
“We had so much fun rehearsing the piece there back in May and the team were great, so we can’t wait to get the show back up and running. It’s come on quite a long way since then – most importantly, we’ve now got the beautiful designs of Georgia de Grey (set and costume) and Ben Jacobs (lighting), which bring the piece vividly to life. We also still had lots of questions about how we were going to end the piece in our last showing so, unless you saw the première back in June, there’s a few surprises waiting for you!”
The company hope that Sister will encourage audiences to reflect on their own relationships: “We hope people leave with an awareness of what they mean to those who love them and maybe even a desire to reach out and heal old wounds. Sister may shine a spotlight on a single type of relationship but we hope that everyone coming to the show will leave with a new perspective on their own lives.”
This blog first appeared on Theatre Things.